Synaesthesia is the involuntary physical experience of a cross-modal linkage — for example, hearing a tone (the inducing stimulus) evokes an additional sensation of seeing a colour (concurrent perception). Of the different types of synaesthesia, most have colour as the concurrent perception1, with concurrent perceptions of smell or taste being rare2,3. Here we describe the case of a musician who experiences different tastes in response to hearing different musical tone intervals, and who makes use of her synaesthetic sensations in the complex task of tone-interval identification. To our knowledge, this combination of inducing stimulus and concurrent perception has not been described before.
E.S. is a 27-year-old professional musician who is female, right-handed and of average intelligence4 (IQ, 115). Whenever she hears a specific musical interval, she automatically experiences a taste on her tongue that is consistently linked to that particular interval (Table 1). Besides this exceptional interval-to-taste synaesthesia, she also reports the more common tone-to-colour synaesthesia, in which each particular tone is linked to a specific colour (for example, C and red; F sharp and violet).
Both synaesthetic perceptions have always been consistently reproducible. We repeatedly tested E.S. for over a year and have confirmed that her interval-to-taste synaesthesia is unidirectional: she does not hear tone intervals when exposed to taste. In addition, E.S. applies this synaesthesia in identifying tone intervals (which is evidence of a synaesthesia–cognition cascade).
To assess the influence of E.S.'s synaesthetic gustatory perception on her ability to identify tone intervals, we adapted the Stroop task5 (for methods, see supplementary information). Four selected tone intervals (seconds and thirds) were presented while applying four differently tasting solutions (sour, bitter, salty and sweet) to E.S.'s tongue. Her task was to identify the tone intervals by pressing a particular button for each interval on a computer keyboard. Reaction times and errors were measured for trials in which the applied taste was either congruent or incongruent with the tone interval; tone intervals were also presented without taste stimulation.
We found that E.S.'s tone-interval identification was perfect and was significantly faster during the congruent condition compared with all the other conditions (Fig. 1). Five non-synaesthetic musicians were tested as controls using the same procedure: no significant between-condition differences were found. The reaction times of the controls were comparable to those of E.S. in the no-taste condition (Fig. 1).
To exclude conceptual priming effects as an explanation for these results (for example, the subject might imagine sourness when presented with ‘sour’ as either a taste or word), we also tested E.S. by showing her the word(s) describing each taste. We found no between-condition difference in this conceptual task (Fig. 1).
Together, these results indicate that E.S.'s performance in the gustatory Stroop task is most likely to be due to her extraordinary type of synaesthesia, in which a complex inducing stimulus leads to a systematic, concurrent gustatory sensation. This case differs from another gustatory synaesthete, S., who reported blended gustatory sensations (such as specific meals) in response to simple auditory stimuli (tones and sounds)2. E.S.'s application of her synaesthetic sensations in identifying tone intervals — a complex task that requires formal musical training — demonstrates that synaesthesias may be used to solve cognitive problems.
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Luria, A. R. The Mind of a Mnemonist (Basic Books, New York, 1969).
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Horn, W. Leistungsprüfsystem (Hogrefe, Göttingen and Bern, 1983).
Stroop, J. R. J. Exp. Psychol. 18, 643–662 (1935).
The authors declare no competing financial interests.
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