Abstract
THE discovery that nerve fibres exhibit a refractory period which limits the number of impulses produced in a given time dealt a death blow to early ‘telephone’ theories, which postulated that information concerning the frequency of a tone (or a Fourier component of a complex sound) was faithfully reproduced by the rate of discharge of an individual fibre. Simple ‘telephone’ theories of neural encoding of pitch were replaced by ‘volley’ theories1 in which stimulus frequency was encoded in the auditory nerve as a whole. According to ‘volley’ theory, different fibres firing at sub-multiples of the stimulating frequency produce a composite discharge that faithfully reproduces the frequency of the stimulating wave-form.
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References
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Previous reports from this laboratory have described in greater detail the wave-forms of the SOC and the various techniques used. Interested readers are referred to Tsuchitani, C., and Boudreau, J. C., J. Neurophysiol., 27, 814 (1964); Boudreau, J. C., and Rohwer, J. W., U.S. Army Med. Res. Lab. Rep. No. 606 (1964); and Boudreau, J. C., J. Acoust. Soc. Amer. (in the press).
A Krohn-Hite band-pass filter, model 330 MR, was used with variable band-widths. The half amplitude cut-off points for the records in Fig. 1 were 0.5 kc/s and 11 kc/s.
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BOUDREAU, J. Neural Volleying: Upper Frequency Limits detectable in the Auditory System. Nature 208, 1237–1238 (1965). https://doi.org/10.1038/2081237a0
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DOI: https://doi.org/10.1038/2081237a0
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