Abstract
IN Sir Charles Eastlake's preface to his translation of Goethe's “Theory of Colours,” he took occasion to pronounce against the accepted theory of Newton (that white light consists of coloured lights compounded together), in the following sentences:—
Modern Chromatics, with Applications to Art and Industry.
By Ogden N. Rood. International Science Series. (London: C. Kegan Paul and Co., 1879.)
This is a preview of subscription content, access via your institution
Access options
Subscribe to this journal
Receive 51 print issues and online access
$199.00 per year
only $3.90 per issue
Buy this article
- Purchase on Springer Link
- Instant access to full article PDF
Prices may be subject to local taxes which are calculated during checkout
Rights and permissions
About this article
Cite this article
THOMPSON, S. Modern Chromatics . Nature 21, 78–79 (1879). https://doi.org/10.1038/021078a0
Issue Date:
DOI: https://doi.org/10.1038/021078a0