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Colours of Heated Metals

Abstract

I HAVE just watched the casting in gun-metal, in an engineering establishment in this town, of what is intended to be the rudder-post of a large vessel, which when completed will weigh about three tons. As the casting was a simple one, it was accomplished very quickly, and as the contents of the huge fourton ladle were emptied into the mould, the dazzling stream of the metal flowed in a large volume over its lip. Brilliantly glossy it appeared as it broke through the folds of thin dross with which its surface was encrusted; and this it did at the lip of the vessel, while fold after fold of the encrusting pellicle was swept down the stream, and left behind it a straight or ragged edge of the thin film, from underneath which the metal welled out for a moment with an appearance on the surface of perfectly transparent purity. The appearance was a deception arising from the strong bluish-green colour of the light emitted by the pure surface of the metal, which I have never seen exhibited under similar circumstances by melted iron or steel. It extended also for only a short distance from the encrusting edge, the green colour soon passing into white, or paler green, where exposure to the air enveloped the metal again in a rapidly increasing film of oxides that tarnish its surface and render the stream white, or nearly so, in every part, excepting in a bluish-green ring, or border where the fresh metal made its appearance, and flowed over in a beautifully coloured stream from the mouth of the ladle. The strongest patches of the colour there were transient, the film of oxide apparently soon thickening enough to eclipse it, and by connecting itself to the broken edge of the thin film in the pot to tear away another fold, when the characteristic greenish glow of the metal immediately presented itself along the freshly-broken edge. I had watched and thus interpreted this beautifully varied play of natural colours in the molten stream for some time before it occurred to me that the peculiar hue of the freshly-exposed surface of the metal, glowing as it does with the brightness of what in the black film of oxide appears as white heat, is no other than the very colour of the heated metal which the theory of exchanges would lead us to expect. For as the colour of gun-metal in a cold state is yellow, the selective absorption of its surface in that condition must be exercised chiefly upon rays occupying the blue portion of the spectrum, and consequently in the heated state these rays are emitted in excess; or if the heat is sufficiently intense to produce them largely, as in the melted metal, where the thin films of oxide on its surface glow with perfect whiteness, the metal itself must shine with bluish, or it may be with geeenish-blue light, if the heat is only high enough to make the excess of green rays very strongly visible. If this should be, as I suppose, the real explanation of the very curious appearance of depth of a certain tint of colour, contrasting strongly in some parts of the melted stream by its greenish hue with the surrounding redder lights, according as the natural tinted appearance of the vivid metal is effaced or diluted by the floating films of white-hot oxides in lines and parts of the stream depending on the surface-flow, and suggesting in some degree the idea of a transparent cascade, and even from its colour of a waterfall, the process often repeated in large foundries of running gun-metal into large castings presents an instance of well-defined action of the law of exchanges which must be constantly witnessed and noted inquiringly by daily observers, and which certainly presents, if a different and more natural explanation can be given of its origin, to eyes unaccustomed and unprepared to receive it, a somewhat surprising and otherwise unaccountable appearance. In gun-metal, when the proportion of zinc introduced is very small, the coating of the melted surface by copper oxide is comparatively slow, and in melted brass it might not be possible, from the rapid oxidation of zinc upon the surface, successfully to observe the same phenomenon. In order to render melted copper fluid enough for casting, a small proportion of alloy sufficient to give it almost the colour of brass is required to be mixed with it, and large pourings of the pure metal cannot commonly be made; but perhaps in small castings of this metal, and probably also in those of gold, opportunities would present themselves similar to that which I have here attempted to describe, of verifying the same general law of radiation connecting together the qualities of luminosity and absorption in the surfaces of highly coloured metals.

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HERSCHEL, A. Colours of Heated Metals. Nature 12, 475–476 (1875). https://doi.org/10.1038/012475b0

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  • DOI: https://doi.org/10.1038/012475b0

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