Access
To read this story in full you will need to login or make a payment (see right).
News and Views
Nature 436, 1093-1094 (25 August 2005) | doi:10.1038/4361093a; Published online 24 August 2005
nature jobs
Associate Professor or Full Professor
- South Dakota State University
- Brookings, SD
Research Associate
- University of Glasgow
- Glasgow, UK
Neuroscience: Finding the missing fundamental
Robert J. Zatorre1
Abstract
The whole orchestra tunes up to an A note from the oboe — but how do our brains tell that all the different sounds are the same pitch? The discovery of pitch-sensitive neurons provides some clues.
Although Maurice Ravel reportedly came to regret ever having written Bolero, it has become a popular staple of the orchestral repertoire. It relies entirely on a single theme, repeated over and over (and over) by different combinations of instruments.
- Robert J. Zatorre is at the Montreal Neurological Institute, McGill University, 3801 University Street, Montreal, Quebec H3A 2B4, Canada.
Email: robert.zatorre@mcgill.ca
To read this story in full you will need to login or make a payment (see right).
MORE ARTICLES LIKE THIS
These links to content published by NPG are automatically generated.
NEWS AND VIEWS
How do our brains analyze temporal structure in sound?Nature Neuroscience News and Views (01 Sep 1998)
The highs and lows of being tone deafNature Neuroscience News and Views (01 Jul 2007)
See all 3 matches for News And ViewsRESEARCH
Structural and functional asymmetry of lateral Heschl's gyrus reflects pitch perception preferenceNature Neuroscience Article (01 Sep 2005)
The neuronal representation of pitch in primate auditory cortexNature Letters to Editor (25 Aug 2005)
See all 7 matches for Research
