Access
To read this story in full you will need to login or make a payment (see right).
Letters to Nature
Nature 426, 830-832 (18 December 2003) | doi:10.1038/nature02186; Received 18 September 2003; Accepted 7 November 2003
Palaeolithic ivory sculptures from southwestern Germany and the origins of figurative art
Nicholas J. Conard
- Abteilung für Ältere Urgeschichte und Quartärökologie, Institut für Ur-und Frühgeschichte und Archäologie des Mittelalters, Universität Tübingen, Schloss Hohentübingen, 72070 Tübingen, Germany
Correspondence to: Nicholas J. Conard Email: nicholas.conard@uni-tuebingen.de
Abstract
Archaeologists have always viewed the origin of figurative art as a crucial threshold in human evolution1, 2. Here I report the discovery of three figurines carved from mammoth ivory at Hohle Fels Cave in the Swabian Jura of southwestern Germany, which provides new evidence for the appearance of figurative art more than 30,000 years ago. The finds include the oldest known representation of a bird, a therianthropic sculpture and an animal that most closely resembles a horse. The Aurignacian sculptures of the Swabian Jura belong to one of the oldest traditions of figurative art known worldwide and point to the Upper Danube as an important centre of cultural innovation during the early Upper Palaeolithic period3, 4.
To read this story in full you will need to login or make a payment (see right).
