Access
To read this story in full you will need to login or make a payment (see right).
Scientific Correspondence
Nature 399, 422 (3 June 1999) | doi:10.1038/20833
Open Innovation Challenges
-
Single-cell Analysis Platform
This Challenge is looking for novel approaches to analyzing changes at a single-cell level. This is...
-
Optimizing Sub-cellular Localization Tags
The Seeker is looking for methods to optimize sub-cellular localization tags for protein expression....
- More Challenges
- Powered by:
nature jobs
Assistant Professor in the Study of Physical Hazards
- University of Cincinnati
- Cincinnati, Ohio, USA
Manager Medical Writitng
- Indegene Lifesystems Pvt. Ltd
- Bengaluru 560 071 India
Fractal analysis of Pollock's drip paintings
Richard P. Taylor, Adam P. Micolich & David Jonas
Abstract
Scientific objectivity proves to be an essential tool for determining the fundamental content of the abstract paintings produced by Jackson Pollock in the late 1940s. Pollock dripped paint from a can onto vast canvases rolled out across the floor of his barn. Although this unorthodox technique has been recognized as a crucial advancement in the evolution of modern art, the precise quality and significance of the patterns created are controversial. Here we describe an analysis of Pollock's patterns which shows, first, that they are fractal1, reflecting the fingerprint of nature, and, second, that the fractal dimensions increased during Pollock's career.
To read this story in full you will need to login or make a payment (see right).
