“I design and create handwoven textiles that take inspiration from data, encoding information within them. There are currently two main sources of inspiration for my work: genetics, where the pieces created are informed by DNA sequences and intergenerational connections, and sounds. Sequence: Contract encodes the DNA sequence for the MHY6 gene.”

“I paint this way when I want to move the brush organically and non-directed. I soak the canvas with water and randomly apply paint. It flows and moves and bleeds as it wants. Sometimes I tilt the canvas to help it along. I draw little squigglies on top. It’s pretty easy. Pretty fun.” More of the artist's work can be seen at http://www.Fatheartgalleries.com (fatheartgalleries@mac.com).

“A monotype is temporary—and that is both alluring and limiting. Fallen Leaves was especially temporary because this collection of leaves could be blown throughout my carport at any moment. In this fragile space, I pushed the natural forms into abstraction, letting textures lead the way.” More of the artist’s work can be seen at http://kellybodieart.com and on Instagram (@kellybodieart).

“To create the picture titled #17, I used the so-called pouring paints technique. What fascinates me in this technique is the unpredictability of the result. You don’t need brushes, you don’t use knives; all you need are cups with acrylic paint, a board or canvas, some creativity, and a bit of luck. When my paints are pouring and mixing on the board as I tilt it, I sometimes imagine that I am a gold miner with the board in place of a pan. I gently tilt the board with the hope of seeing some gold. When working on #17, I did not pan any gold; however, I have no regrets, because what I found is the most beautiful malachite gemstone on earth.” More of the artist’s work can be seen at http://iushakova.com.

“My work is intuitive, imaginative, and reflects the reverence and excitement I have for the natural world.” More of the artist’s work can be seen at http://www.catherinevosecky.com.

“I am drawn to the rhythms found in nature, its random patterns: repetitive, sequential, or undulating. My tapestry explores cross-currents of color, pulsing of fibers, and shifts in hue. Contact me to view it at the personal gallery at my residence in Chapel Hill. See my website at https://fernsandfancy.com.”

A goose will hiss and chase you...highly territorial. This painting reminds us it is important to communicate warnings to maintain health and beauty. Kaidy Lewis is a contemporary and expressive artist. Her paintings are a shared joy, layers with reference and oxymorons.

I started painting late in life and find it the most satisfying work I’ve ever done. I love the time I spend, usually very early in the morning, totally immersed in the struggle to create. You can see my work at the Hillsborough Gallery of Arts in Hillsborough, NC.

Imaginary environments populated with birds evoke perceptions of nature's interconnected complexity and beauty. Beguiling semi-abstract impressions are painted using sgraffito and impasto techniques to build rich texture. For more visit: RuthAnanda.com

Inspiration for this piece came from studying nautical charts while sailing with my husband along the coast of North Carolina. I was fascinated by the lines, shapes and symbols of the charts. I added found objects of feathers and shells collected on the trip.

Karen Sosa draws inspiration from her childhood on Martha’s Vineyard. The ferry ride between the island and Cape Cod is an integral part of island life. “Waves” evokes countless memories of watching the ocean during these journeys.