Abstract
THE production of photographs in colour by means that may fairly be described as photographic is now quite common. Though the simple method of getting pigmentary colours in the picture by the direct impact of the coloured lights proceeding from the object has not been, and may never be, realised, except, perhaps, to a certain extent by very prolonged exposures, the indirect three-colour process in its numerous modifications has thoroughly established itself as a quite practical method. It is natural, therefore, that endeavours to get kinematograph views shown on the sheet in natural colours should follow on the same lines that have made such great successes possible in single photographs.
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Animated Photographs in Natural Colours . Nature 79, 314 (1909). https://doi.org/10.1038/079314a0
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DOI: https://doi.org/10.1038/079314a0