The “Narratives” fMRI dataset for evaluating models of naturalistic language comprehension

The “Narratives” collection aggregates a variety of functional MRI datasets collected while human subjects listened to naturalistic spoken stories. The current release includes 345 subjects, 891 functional scans, and 27 diverse stories of varying duration totaling ~4.6 hours of unique stimuli (~43,000 words). This data collection is well-suited for naturalistic neuroimaging analysis, and is intended to serve as a benchmark for models of language and narrative comprehension. We provide standardized MRI data accompanied by rich metadata, preprocessed versions of the data ready for immediate use, and the spoken story stimuli with time-stamped phoneme- and word-level transcripts. All code and data are publicly available with full provenance in keeping with current best practices in transparent and reproducible neuroimaging.

throughout the story stimulus; however, participants were not instructed to maintain fixation. Auditory story stimuli were delivered via MRI-compatible insert earphones (Sensimetrics, Model S14); headphones or foam padding were placed over the earphones to reduce scanner noise. In most cases, a volume check was performed to ensure that subjects could comfortably hear the auditory stimulus over the MRI acquisition noise prior to data collection. A sample audio stimulus was played during an EPI sequence (that was later discarded) and the volume was adjusted by either the experimenter or subject until the subject reported being able to comfortably hear and understand the stimulus. In the staging/ directory on GitHub, we provide an example stimulus presentation PsychoPy script used with the "Pie Man (PNI)", "Running from the Bronx (PNI)", "I Knew You Were Black", and "The Man Who Forgot Ray Bradbury" stories (story_presentation.py), as well as an example volume-check script (soundcheck_presentation.py; see "Code availability").
For many datasets in this collection, story scans were accompanied by additional functional scans including different stories or other experimental paradigms, as well as auxiliary anatomical scans. In all cases, an entire story stimulus was presented in a single scanning run; however, in some cases multiple independent stories were collected in a single scanning run (the "Slumlord" and "Reach for the Stars One Small Step at a Time" stories, and the "Schema" stories; see the "Narrative datasets" section below). In scanning sessions with multiple stories and scanning runs, participants were free to request volume adjustments between scans (although this was uncommon). Participants were debriefed as to the purpose of a given experiment at the end of a scanning session, and in some cases filled out follow-up questionnaires evaluating their comprehension of the stimuli. Specifical procedural details for each dataset are described in the "Narrative datasets" section below.
Stimuli. To add to the scientific value of the neuroimaging data, we provide waveform (WAV) audio files containing the spoken story stimulus for each dataset (e.g. pieman_audio.wav). Audio files were edited using the open source Audacity software (https://www.audacityteam.org). These audio files served as stimuli for the publicly-funded psychological and neuroscientific studies described herein. The stimuli are intended for non-profit, non-commercial scholarly use-principally feature extraction-under "fair use" or "fair dealing" provisions; (re)sharing and (re)use of these media files is intended to respect these guidelines 128 . Story stimuli span a variety of media, including commercially-produced radio and internet broadcasts, authors and actors reading written works, professional storytellers performing in front of live audiences, and subjects verbally recalling previous events (in the scanner). Manually written transcripts are provided with each story stimulus. The specific story stimuli for each dataset are described in more detail in the "Narrative datasets" section below. In total, the auditory stories sum to roughly 4.6 hours of unique stimuli corresponding to 11,149 TRs (excluding TRs acquired with no auditory story stimulus). Concatenating across all subjects, this amounts to roughly 6.4 days worth of story-listening fMRI data, or 369,496 TRs.
By including all stimuli in this data release, researchers can extract their choice of linguistic features for model evaluation 7,129 , opening the door to many novel scientific questions. To kick-start this process, we used Gentle  Table 1. The "Narratives" datasets summarized in terms of duration, word count, and sample size. Some subjects participated in multiple experiments resulting in overlapping samples. Note that for the "Milky Way" and "Shapes" datasets, we tabulate the duration and word count only once for closely related experimental manipulations, respectively (reflected in the total durations at bottom). For the "Schema" dataset, we indicate the sum of the duration and word counts across eight brief stories. We do not include the temporally scrambled versions of the "It's Not the Fall That Gets You Dataset" in the duration and word totals. 0.10.1 130 to create time-stamped phoneme-and word-level transcripts for each story stimulus in an automated fashion. Gentle is a robust, lenient forced-alignment algorithm that relies on the free and open source Kaldi automated speech recognition software 131 and the Fisher English Corpus 132 . The initial (non-time-stamped) written transcripts were manually transcribed by the authors and supplied to the Gentle forced-alignment algorithm alongside the audio file. The first-pass output of the forced-alignment algorithm was visually inspected and any errors in the original transcripts were manually corrected; then the corrected transcripts were resubmitted to the forced-alignment algorithm to generate the final time-stamped transcripts. The Gentle forced-alignment software generates two principal outputs. First, a simple word-level transcript with onset and offset timing for each word is saved as a tabular CSV file. Each row in the CSV file corresponds to a word. The CSV file contains four columns (no header) where the first column indicates the word from the written transcript, the second column indicates the corresponding word in the vocabulary, the third column indicates the word onset timing from the beginning of the stimulus file, and the fourth column indicates the word offset timing. Second, Gentle generates a more detailed JSON file containing the full written transcript followed by a list of word entries where each entry contains fields indicating the word ("word") and whether word was found in the vocabulary ("alignedWord"), the onset ("start") and offset ("end") timing of the word referenced to the beginning of the audio file, the duration of each phone comprising that word ("phones" containing "phone" and "duration"), and a field ("case") indicating whether the word was correctly localized in the audio signal. Words that were not found in the vocabulary are indicated by "<unk>" for "unknown" in the second column of the CSV file or in the "alignedWord" field of the JSON file. Words that are not successfully localized in the audio file receive their own row but contain no timing information in the CSV file, and are marked as "not-found-in-audio" in the "case" field of the JSON file. All timing information generated by Gentle is indexed to the beginning of the stimulus audio file. This should be referenced against the BIDS-formatted events.tsv files accompanying each scan describing when the story stimulus began relative to the beginning of the scan (this varies across datasets as described in the "Narratives datasets" section below). Some word counts may be slightly inflated by the inclusion of disfluencies (e.g. "uh") in the transcripts. Transcripts for the story stimuli contain 42,989 words in total across all stories; 789 words (1.8%) were not successfully localized by the forced-alignment algorithm and 651 words (1.5%) were not found in the vocabulary (see the get_words.py script in the code/ directory). Concatenating across all subjects yields 1,399,655 words occurring over the course of 369,496 TRs. Grady is plotted as a waveform of varying amplitude (y-axis) over the duration of 450 seconds (x-axis) corresponding to 300 fMRI volumes sampled at a TR of 1.5 seconds. An example clip (marked by vertical orange lines) is expanded and accompanied by the time-stamped word annotation ("I began my illustrious career in journalism in the Bronx, where I worked as a hard-boiled reporter for the Ram…"). The story stimulus can be described according to a variety of models; for example, acoustic, semantic, or narrative features can be extracted from or assigned to the stimulus. In a prediction or modelcomparison framework, these models serve as formal hypotheses linking the stimulus to brain responses. At top, preprocessed fMRI response time-series from three example voxels for an example subject are plotted for the full duration of the story stimulus (x-axis: fMRI signal magnitude; y-axis: scan duration in TRs; red: early auditory cortex; orange: auditory association cortex; purple: temporoparietal junction). See the plot_ stim.py script in the code/ directory for details. (b) At bottom, MRI data, metadata, and stimuli are formatted according to the BIDS standard and publicly available via OpenNeuro. All derivative data are version-controlled and publicly available via DataLad. The schematic preprocessing workflow includes the following steps: realignment, susceptibility distortion correction, and spatial normalization with fMRIPrep; unsmoothed and spatially smoothed workflows proceed in parallel; confound regression to mitigate artifacts from head motion and physiological noise; as well as intersubject correlation (ISC) analyses used for quality control in this manuscript. Each stage of the processing workflow is publicly available and indexed by a commit hash (left) providing a full, interactive history of the data collection. This schematic is intended to provide a high-level summary and does not capture the full provenance in detail; for example, derivatives from MRIQC are also included in the public release alongside other derivatives (but are not depicted here).
Gentle packages the audio file, written transcript, CSV and JSON files with an HTML file for viewing in a browser that allows for interactively listening to the audio file while each word is highlighted (with its corresponding phones) when it occurs in the audio. Note that our forced-alignment procedure using Gentle was fully automated and did not include any manual intervention. That said, the time-stamped transcripts are not perfect-speech disfluencies, multiple voices speaking simultaneously, sound effects, and scanner noise provide a challenge for automated transcription. We hope this annotation can serve as a starting point, and expect that better transcriptions will be created in the future. We invite researchers who derive additional features and annotations from the stimuli to contact the corresponding author and we will help incorporate these annotations into the publicly available dataset.
MRI data acquisition. All datasets were collected at the Princeton Neuroscience Institute Scully Center for Neuroimaging. Acquisition parameters are reproduced below in compliance with the guidelines put forward by the Organization for Human Brain Mapping (OHBM) Committee on Best Practices in Data Analysis and Sharing 133 (COBIDAS), and are also included in the BIDS-formatted JSON metadata files accompanying each scan. All studies used a repetition time (TR) of 1.5 seconds. Several groups of datasets differ in acquisition parameters due to both experimental specifications and the span of years over which datasets were acquired; for example, several of the newer datasets were acquired on a newer scanner and use multiband acceleration to achieve greater spatial resolution (e.g. for multivariate pattern analysis) while maintaining the same temporal resolution. The "Pie Man", "Tunnel Under the World", "Lucy", "Pretty Mouth and Green My Eyes", "Milky Way", "Slumlord", "Reach for the Stars One Small Step at a Time", "It's Not the Fall that Gets You", "Merlin", "Sherlock", and "The 21st Year" datasets were collected on a 3 T Siemens Magnetom Skyra (Erlangen, Germany) with a 20-channel phased-array head coil using the following acquisition parameters. Functional BOLD images were acquired in an interleaved fashion using gradient-echo echo-planar imaging (EPI) with an in-plane acceleration factor of 2 using GRAPPA: TR/TE = 1500/28 ms, flip angle = 64°, bandwidth = 1445 Hz/Px, in-plane resolution = 3 × 3 mm, slice thickness = 4 mm, matrix size = 64 × 64, FoV = 192 × 192 mm, 27 axial slices with roughly full brain coverage and no gap, anterior-posterior phase encoding, prescan normalization, fat suppression. In cases where full brain coverage was not attainable, inferior extremities were typically excluded (e.g. cerebellum, brainstem) to maximize coverage of the cerebral cortex. At the beginning of each run, three dummy scans were acquired and discarded by the scanner to allow for signal stabilization. T1-weighted structural images were acquired using a high-resolution single-shot MPRAGE sequence with an in-plane acceleration factor of 2 using GRAPPA: TR/ TE/TI = 2300/3.08/900 ms, flip angle = 9°, bandwidth = 240 Hz/Px, in-plane resolution 0.859 × 0.859 mm, slice thickness 0.9 mm, matrix size = 256 × 256, FoV = 172.8 × 220 × 220 mm, 192 sagittal slices, ascending acquisition, anterior-posterior phase encoding, prescan normalization, no fat suppression, 7 minutes 21 seconds total acquisition time.
The "Pie Man (PNI), " "Running from the Bronx, " "I Knew You Were Black, " and "The Man Who Forgot Ray Bradbury" datasets were collected on the same 3 T Siemens Magnetom Prisma with a 64-channel head coil using different acquisition parameters. Functional images were acquired in an interleaved fashion using gradient-echo EPI with a multiband acceleration factor of 3 using blipped CAIPIRINHA and no in-plane acceleration: TR/ TE 1500/31 ms, flip angle = 67°, bandwidth = 2480 Hz/Px, in-plane resolution = 2.5 × 2.5 mm, slice thickness 2.5 mm, matrix size = 96 × 96, FoV = 240 × 240 mm, 48 axial slices with full brain coverage and no gap, anteriorposterior phase encoding, prescan normalization, fat suppression, three dummy scans. T1-weighted structural images were acquired using a high-resolution single-shot MPRAGE sequence with an in-plane acceleration factor of 2 using GRAPPA: TR/TE/TI = 2530/3. MRI preprocessing. Anatomical images were de-faced using the automated de-facing software pydeface 2.0.0 134 prior to further processing (using the run_pydeface.py script in the code/ directory). MRI data were subsequently preprocessed using fMRIPrep 20.0.5 135,136 (RRID:SCR_016216; using the run_fmriprep. sh script in the code/ directory). FMRIPrep is a containerized, automated tool based on Nipype 1.4.2 137,138 (RRID:SCR_002502) that adaptively adjusts to idiosyncrasies of the dataset (as captured by the metadata) to apply the best-in-breed preprocessing workflow. Many internal operations of fMRIPrep functional processing www.nature.com/scientificdata www.nature.com/scientificdata/ workflow use Nilearn 0.6.2 139 (RRID:SCR_001362). For more details of the pipeline, see the section corresponding to workflows in fMRIPrep's documentation. The containerized fMRIPrep software was deployed using Singularity 3.5.2-1.1.sdl7 140 . The fMRIPrep Singularity image can be built from Docker Hub (https://hub.docker. com/r/poldracklab/fmriprep/; e.g. singularity build fmriprep-20.0.5.simg docker://poldracklab/fmriprep:20.0.5). The fMRIPrep outputs and visualization can be found in the fmriprep/ directory in derivatives/ available via the DataLad release. The fMRIPrep workflow produces two principal outputs: (a) the functional time series data in one more output space (e.g. MNI space), and (b) a collection of confound variables for each functional scan. In the following, we describe fMRIPrep's anatomical and functional workflows, as well as subsequent spatial smoothing and confound regression implemented in AFNI 19.3.0 141,142 (RRID:SCR_005927).
The anatomical MRI T1-weighted (T1w) images were corrected for intensity non-uniformity with N4BiasFieldCorrection 143 , distributed with ANTs 2.2.0 144 (RRID:SCR_004757), and used as T1w-reference throughout the workflow. The T1w-reference was then skull-stripped with a Nipype implementation of the antsBrainExtraction.sh (from ANTs) using the OASIS30ANTs as the target template. Brain tissue segmentation of cerebrospinal fluid (CSF), white-matter (WM), and gray-matter (GM) was performed on the brain-extracted T1w using fast 145 (FSL 5.0.9; RRID:SCR_002823). Brain surfaces were reconstructed using recon-all 146,147 (FreeSurfer 6.0.1; RRID:SCR_001847), and the brain mask estimated previously was refined with a custom variation of the method to reconcile ANTs-derived and FreeSurfer-derived segmentations of the cortical gray-matter from Mindboggle 148 (RRID:SCR_002438). Volume-based spatial normalization to two commonly-used standard spaces (MNI152NLin2009cAsym, MNI152NLin6Asym) was performed through nonlinear registration with antsRegistration (ANTs 2.2.0) using brain-extracted versions of both T1w reference and the T1w template. The following two volumetric templates were selected for spatial normalization and deployed using TemplateFlow 149  The functional MRI data were preprocessed in the following way. First, a reference volume and its skull-stripped version were generated using a custom methodology of fMRIPrep. A deformation field to correct for susceptibility distortions was estimated using fMRIPrep's fieldmap-less approach. The deformation field results from co-registering the BOLD reference to the same-subject T1w-reference with its intensity inverted 153,154 . Registration was performed with antsRegistration (ANTs 2.2.0), and the process was regularized by constraining deformation to be nonzero only along the phase-encoding direction, and modulated with an average fieldmap template 155 . Based on the estimated susceptibility distortion, a corrected EPI reference was calculated for more accurate co-registration with the anatomical reference. The BOLD reference was then co-registered to the T1w reference using bbregister (FreeSurfer 6.0.1), which implements boundary-based registration 156 . Co-registration was configured with six degrees of freedom. Head-motion parameters with respect to the BOLD reference (transformation matrices, and six corresponding rotation and translation parameters) are estimated before any spatiotemporal filtering using mcflirt (FSL 5.0.9) [157][158][159] . BOLD runs were slice-time corrected using 3dTshift from AFNI 20160207 160 . The BOLD time-series were resampled onto the following surfaces: fsaverage, fsaverage6, fsaverage5. The BOLD time-series (including slice-timing correction when applied) were resampled onto their original, native space by applying a single, composite transform to correct for head-motion and susceptibility distortions. These resampled BOLD time-series are referred to as preprocessed BOLD in original space, or just preprocessed BOLD. The BOLD time-series were resampled into two volumetric standard spaces, correspondingly generating the following spatially-normalized, preprocessed BOLD runs: MNI152NLin2009cAsym, MNI152NLin6Asym. A reference volume and its skull-stripped version were first generated using a custom methodology of fMRIPrep. All resamplings were performed with a single interpolation step by composing all the pertinent transformations (i.e. head-motion transform matrices, susceptibility distortion correction, and co-registrations to anatomical and output spaces). Gridded (volumetric) resamplings were performed using antsApplyTransforms (ANTs 2.2.0), configured with Lanczos interpolation to minimize the smoothing effects of other kernels 161 . Non-gridded (surface) resamplings were performed using mri_vol-2surf (FreeSurfer 6.0.1).
Several confounding time-series were calculated based on the preprocessed BOLD: framewise displacement (FD), DVARS, and three region-wise global signals. FD and DVARS are calculated for each functional run, both using their implementations in Nipype 162 . The three global signals are extracted within the CSF, the WM, and the whole-brain masks. Additionally, a set of physiological regressors were extracted to allow for component-based noise correction (CompCor) 163 . Principal components are estimated after high-pass filtering the preprocessed BOLD time-series (using a discrete cosine filter with 128 s cut-off) for the two CompCor variants: temporal (tCompCor) and anatomical (aCompCor). The tCompCor components are then calculated from the top 5% variable voxels within a mask covering the subcortical regions. This subcortical mask is obtained by heavily eroding the brain mask, which ensures it does not include cortical GM regions. For aCompCor, components are calculated within the intersection of the aforementioned mask and the union of CSF and WM masks calculated in T1w space, after their projection to the native space of each functional run (using the inverse BOLD-to-T1w transformation). Components are also calculated separately within the WM and CSF masks. For each CompCor decomposition, the k components with the largest singular values are retained, such that the retained components' time series are sufficient to explain 50 percent of variance across the nuisance mask (CSF, WM, combined, or temporal). The remaining components are dropped from consideration. The head-motion estimates calculated in the correction step were also placed within the corresponding confounds file. The confound time series derived from www.nature.com/scientificdata www.nature.com/scientificdata/ head motion estimates and global signals were expanded with the inclusion of temporal derivatives and quadratic terms for each 164 . Frames that exceeded a threshold of 0.5 mm FD or 1.5 standardised DVARS were annotated as motion outliers. All of these confound variables are provided with the dataset for researchers to use as they see fit.
HTML files with quality control visualizations output by fMRIPrep are available via DataLad.
We provide spatially smoothed and non-smoothed versions of the preprocessed functional data returned by fMRIPrep (smoothing was implemented using the run_smoothing.py script in the code/ directory). Analyses requiring voxelwise correspondence across subjects, such as ISC analysis 165 , can benefit from spatial smoothing due to variability in functional-anatomical correspondence across individuals-at the expense of spatial specificity (finer-grained intersubject functional correspondence can be achieved using hyperalignment rather than spatial smoothing 81,113,166 ). The smoothed and non-smoothed outputs (and subsequent analyses) can be found in the afni-smooth/ and afni-nosmooth/ directories in derivatives/ available via DataLad. To smooth the volumetric functional images, we used 3dBlurToFWHM in AFNI 19.3.0 141,142 which iteratively measures the global smoothness (ratio of variance of first differences across voxels to global variance) and local smoothness (estimated within 4 mm spheres), then applies local smoothing to less-smooth areas until the desired global smoothness is achieved. All smoothing operations were performed within a brain mask to ensure that non-brain values were not smoothed into the functional data (see the brain_masks.py script in the code/ directory). For surface-based functional data, we applied smoothing SurfSmooth in AFNI, which uses a similar iterative algorithm for smoothing surface data according to geodesic distance on the cortical mantle 167,168 . In both cases, data were smoothed until a target global smoothness of 6 mm FWHM was met (i.e. 2-3 times original voxel sizes 169 ). Equalizing smoothness is critical to harmonize data acquired across different scanners and protocols 170 .
We next temporally filtered the functional data to mitigate the effects of confounding variables. Unlike traditional task fMRI experiments with a well-defined event structure, the goal of regression was not to estimate regression coefficients for any given experimental conditions; rather, similar to resting-state functional connectivity analysis, the goal of regression was to model nuisance variables, resulting in a "clean" residual time series. However, unlike conventional resting-state paradigms, naturalistic stimuli enable intersubject analyses, which are less sensitive to idiosyncratic noises than within-subject functional connectivity analysis typically used with resting-state data 119,171 . With this in mind, we used a modest confound regression model informed by the rich literature on confound regression for resting-state functional connectivity 172,173 . AFNI's 3dTproject was used to regress out the following nuisance variables (via the extract_confounds.py and run_regression. py scripts in the code/ directory): six head motion parameters (three translation, three rotation), the first five principal component time series from an eroded CSF and a white matter mask 163,174 , cosine bases for high-pass filtering (using a discrete cosine filter with cutoff: 128 s, or ~0.0078 Hz), and first-and second-order detrending polynomials. These variables were included in a single regression model to avoid reintroducing artifacts by sequential filtering 175 . The scripts used to perform this regression and the residual time series are provided with this data release. This processing workflow ultimately yields smoothed and non-smoothed versions of the "clean" functional time series data in several volumetric and surface-based standard spaces.
Narratives datasets. Each dataset in the "Narratives" collection is described below. The datasets are listed in roughly chronological order of acquisition. For each dataset, we provide the dataset-specific subject demographics, a summary of the stimulus and timing, as well as details of the experimental procedure or design.
"Pie Man". The "Pie Man" dataset was collected between October, 2011 and March, 2013, and comprised 82 participants (ages 18-45 years, mean age 22.5 ± 4.3 years, 45 reported female). The "Pie Man" story was told by Jim O'Grady and recorded live at The Moth, a non-profit storytelling event, in New York City in 2008 (freely available at https://themoth.org/stories/pie-man). The "Pie Man" audio stimulus was 450 seconds (7.5 minutes) long and began with 13 seconds of neutral introductory music followed by 2 seconds of silence, such that the story itself started at 0:15 and ended at 7:17, for a duration 422 seconds, with 13 seconds of silence at the end of the scan. The stimulus was started simultaneously with the acquisition of the first functional MRI volume, and the scans comprise 300 TRs, matching the duration of the stimulus. The transcript for the "Pie Man" story stimulus contains 957 words; 3 words (0.3%) were not successfully localized by the forced-alignment algorithm, and 19 words www.nature.com/scientificdata www.nature.com/scientificdata/ (2.0%) were not found in the vocabulary (e.g. proper names). The "Pie Man" data were in some cases collected in conjunction with temporally scrambled versions of the "Pie Man" stimulus, as well the "Tunnel Under the World" and "Lucy" datasets among others, and share subjects with these datasets (as specified in the participants.tsv file). The current release only includes data collected for the intact story stimulus (rather than the temporally scrambled versions of the stimulus). The following subjects received the "Pie Man" stimulus on two separate occasions (specified by run-1 or run-2 in the BIDS file naming convention): sub-001, sub-002, sub-003, sub-004, sub-005, sub-006, sub-008, sub-010, sub-011, sub-012, sub-013, sub-014, sub-015, sub-016. We recommend excluding subjects sub-001 (both run-1 and run-2), sub-013 (run-2), sub-014 (run-2), sub-021, sub-022, sub-038, sub-056, sub-068, and sub-069 (as specified in the scan_exclude.json file in the code/ directory) based on criteria explained in the "Intersubject correlation" section of "Data validation. " Subsets of the "Pie Man" data have been previously reported in numerous publications 109,115,119,[190][191][192][193][194][195][196][197][198] , and additional datasets not shared here have been collected using the "Pie Man" auditory story stimulus [199][200][201][202] . In the filename convention (and figures), "Pie Man" is labeled using the task alias pieman.
"tunnel Under the World". The "Tunnel Under the World" dataset was collected between May, 2012, and February, 2013, and comprised 23 participants (ages 18-31 years, mean age 22.5 ± 3.8 years, 14 reported female). The "Tunnel Under the World" science-fiction story was authored by Frederik Pohl in 1955 which was broadcast in 1956 as part of the X Minus One series, a collaboration between the National Broadcasting Company and Galaxy Science Fiction magazine (freely available at https://www.oldtimeradiodownloads.com). The "Tunnel Under the World" audio stimulus is 1534 seconds (~25.5 minutes) long. The stimulus was started after the first two functional MRI volumes (2 TRs, 3 seconds) were collected, with ~23 seconds of silence after the stimulus. The functional scans comprise 1040 TRs (1560 seconds), except for subjects sub-004 and sub-013 which have 1035 and 1045 TRs respectively. The transcript for "Tunnel Under the World" contains 3,435 words; 126 words (3.7%) were not successfully localized by the forced-alignment algorithm and 88 words (2.6%) were not found in the vocabulary. The "Tunnel Under the World" and "Lucy" datasets contain largely overlapping samples of subjects, though were collected in separate sessions, and were, in many cases, collected alongside "Pie Man" scans (as specified in the participants.tsv file). We recommend excluding the "Tunnel Under the World" scans for subjects sub-004 and sub-013 (as specified in the scan_exclude.json file in the code/ directory). The "Tunnel Under the World" data have been previously reported by Lositsky and colleagues 203 . In the filename convention, "Tunnel Under the World" is labeled using the task alias tunnel. "Lucy". The "Lucy" dataset was collected between October, 2012 and January, 2013 and comprised 16 participants (ages 18-31 years, mean age 22.6 ± 3.9 years, 10 reported female). The "Lucy" story was broadcast by the non-profit WNYC public radio in 2010 (freely available at https://www.wnycstudios.org/story/91705-lucy). The "Lucy" audio stimulus is 542 seconds (~9 minutes) long and was started after the first two functional MRI volumes (2 TRs, 3 seconds) were collected. The functional scans comprise 370 TRs (555 seconds). The transcript for "Lucy" contains 1,607 words; 22 words (1.4%) were not successfully localized by the forced-alignment algorithm and 27 words (1.7%) were not found in the vocabulary. The "Lucy" and "Tunnel Under the World" datasets contain largely overlapping samples of subjects, and were acquired contemporaneously with "Pie Man" data. We recommend excluding the "Lucy" scans for subjects sub-053 and sub-065 (as specified in the scan_exclude. json file in the code/ directory). The "Lucy" data have not previously been reported. In the filename convention, "Lucy" is labeled using the task alias lucy.
"Pretty Mouth and Green My Eyes". The "Pretty Mouth and Green My Eyes" dataset was collected between March, 2013, and October, 2013, and comprised 40 participants (ages 18-34 years, mean age 21.4 ± 3.5 years, 19 reported female). The "Pretty Mouth and Green My Eyes" story was authored by J. D. Salinger for The New Yorker magazine (1951) and subsequently published in the Nine Stories collection (1953). The spoken story stimulus used for data collection was based on an adapted version of the original text that was shorter and included a few additional sentences, and was read by a professional actor. The "Pretty Mouth and Green My Eyes" audio stimulus is 712 seconds (~11.9 minutes) long and began with 18 seconds of neutral introductory music followed by 3 seconds of silence, such that the story started at 0:21 (after 14 TRs) and ended at 11:37, for a duration of 676 seconds (~451 TRs), with 15 seconds (10 TRs) of silence at the end of the scan. The functional scans comprised 475 TRs (712.5 seconds). The transcript for "Pretty Mouth and Green My Eyes" contains 1,970 words; 7 words (0.4%) were not successfully localized by the forced-alignment algorithm and 38 words (1.9%) were not found in the vocabulary.
The "Pretty Mouth and Green My Eyes" stimulus was presented to two groups of subjects in two different narrative contexts according to a between-subject experimental design: (a) in the "affair" group, subjects read a short passage implying that the main character was having an affair; (b) in the "paranoia" group, subjects read a short passage implying that the main character's friend was unjustly paranoid (see Yeshurun et al., 2017, for the full prompts). The two experimental groups were randomly assigned such that there were 20 subjects in each group and each subject only received the stimulus under a single contextual manipulation. The group assignments are indicated in the participants.tsv file, and the scans.tsv file for each subject. Both groups received the identical story stimulus despite receiving differing contextual prompts. Immediately following the scans, subjects completed a questionnaire assessing comprehension of the story. The questionnaire comprised 27 context-independent and 12 context-dependent questions (39 questions in total). The resulting comprehension scores are reported as the proportion of correct answers (ranging 0-1) in the participants.tsv file and scans.tsv file for each subject. We recommend excluding the "Pretty Mouth and Green My Eyes" scans for subjects sub-038 and sub-105 (as specified in the scan_exclude.json file in the code/directory). The www.nature.com/scientificdata www.nature.com/scientificdata/ "Pretty Mouth and Green My Eyes" data have been reported in existing publications 109,204 . In the filename convention, "Pretty Mouth and Green My Eyes" is labeled using the task alias prettymouth.
"Milky Way". The "Milky Way" dataset was collected between March, 2013, and April, 2017, and comprised 53 participants (ages 18-34 years, mean age 21.7 ± 4.1 years, 27 reported female). The "Milky Way" story stimuli were written by an affiliate of the experimenters and read by a member of the Princeton Neuroscience Institute not affiliated with the experimenters' lab. There are three versions of the "Milky Way" story capturing three different experimental conditions: (a) the original story (labeled original), which describes a man who visits a hypnotist to overcome his obsession with an ex-girlfriend, but instead becomes fixated on Milky Way candy bars; (b) an alternative version (labeled vodka) where sparse word substitutions yield a narrative in which a woman obsessed with an American Idol judge visits a psychic and becomes fixated on vodka; (c) a control version (labeled synonyms) with a similar number of word substitutions to the vodka version, but instead using synonyms of words in the original version, yielding a very similar narrative to the original. Relative to the original version, both the vodka and synonyms versions substituted on average 2.5 ± 1.7 words per sentence (34 ± 21% of words per sentence). All three versions were read by the same actor and each sentence of the recording was temporally aligned across versions. All three versions of the "Milky Way" story were 438 seconds (7.3 min; 292 TRs) long and began with 18 seconds of neutral introductory music followed by a 3 seconds of silence (21 TRs total), such that the story started at 0:21 and ended at 7:05, for a duration 404 s, with 13 seconds of silence at the end of the scan. The functional runs comprised 297 volumes (444.5 seconds). The transcript for the original version of the stimulus contains 1,059 words; 7 words (0.7%) were not successfully localized by the forced-alignment algorithm and 16 words (1.5%) were not found in the vocabulary. The vodka version contains 1058 words; 2 words (0.2%) were not successfully localized and 21 words (2.0%) were not found in the vocabulary. The synonyms version contains 1,066 words; 10 words (0.9%) were not successfully localized and 13 words (1.2%) were not found in the vocabulary.
The three versions of the stimuli were assigned to subjects according to a between-subject design, such that there were 18 subjects in each of the three groups, and each subject received only one version of the story. The group assignments are indicated in the participants.tsv file, and the scans.tsv file for each subject. The stimulus filename includes the version (milkywayoriginal, milkywayvodka, milkywaysynonyms) and is specified in the events.tsv file accompanying each run. The data corresponding to the original and vodka versions were collected between March and October, 2013, while the synonyms data were collected in March and April, 2017. Subjects completed a 28-item questionnaire assessing story comprehension following the scanning session. The comprehension scores for the original and vodka groups are reported as the proportion of correct answers (ranging 0-1) in the participants.tsv file and scans.tsv file for each subject. We recommend excluding "Milky Way" scans for subjects sub-038, sub-105, and sub-123 (as specified in the scan_exclude.json file in the code/ directory). The "Milky Way" data have been previously reported 197 . In the filename convention, "Milky Way" is labeled using the task alias milkyway.
"Slumlord" and "Reach for the Stars One Small Step at a time". The "Slumlord" and "Reach for the Stars One Small Step at a Time" dataset was collected between May, 2013, and October, 2013, and comprised 18 participants (ages 18-27 years, mean age 21.0 ± 2.3 years, 8 reported female). The "Slumlord" story was told by Jack Hitt and recorded live at The Moth, a non-profit storytelling event, in New York City in 2006 (freely available at https://themoth.org/stories/slumlord). The "Reach for the Stars One Small Step at a Time" story was told by Richard Garriott and also recorded live at The Moth in New York City in 2010 (freely available at https://themoth. org/stories/reach-for-the-stars). The combined audio stimulus is 1,802 seconds (~30 minutes) long in total and begins with 22.5 seconds of music followed by 3 seconds of silence. The "Slumlord" story begins at approximately 0:25 relative to the beginning of the stimulus file, ends at 15:28, for a duration of 903 seconds (602 TRs), and is followed by 12 seconds of silence. After another 22 seconds of music starting at 15:40, the "Reach for the Stars One Small Step at a Time" story starts at 16:06 (965 seconds; relative to the beginning of the stimulus file), ends at 29:50, for a duration of 825 seconds (~550 TRs), and is followed by 12 seconds of silence. The stimulus file was started after 3 TRs (4.5 seconds) as indicated in the events.tsv files accompanying each scan. The scans were acquired with a variable number of trailing volumes following the stimulus across subjects, but can be truncated as researchers see fit (e.g. to 1205 TRs). The transcript for the combined "Slumlord" and "Reach for the Stars One Small Step at a Time" stimulus contains 5,344 words; 116 words (2.2%) were not successfully localized by the forced-alignment algorithm, and 57 words (1.1%) were not found in the vocabulary. The transcript for "Slumlord" contains 2,715 words; 65 words (2.4%) were not successfully localized and 25 words (0.9%) were not found in the vocabulary. The transcript for "Reach for the Stars One Small Step at a Time" contains 2,629 words; 51 words (1.9%) were not successfully localized and 32 words (1.2%) were not found in the vocabulary. We recommend excluding sub-139 due to a truncated acquisition time (as specified in the scan_exclude.json file in the code/ directory).
After the scans, each subject completed an assessment of their comprehension of the "Slumlord" story. To evaluate comprehension, subjects were presented with a written transcript of the "Slumlord" story with 77 blank segments, and were asked to fill in the omitted word or phrase for each blank (free response) to the best of their ability. The free responses were evaluated using Amazon Mechanical Turk (MTurk) crowdsourcing platform. MTurk workers rated the response to each omitted segment on a scale from 0-4 of relatedness to the correct response, where 0 indicates no response provided, 1 indicates an incorrect response unrelated to the correct response, and 4 indicates an exact match to the correct response. The resulting comprehension scores are reported as the proportion out of a perfect score of 4 (ranging 0-1) in the participants.tsv file and scans.tsv file for each subject. Comprehension scores for "Reach for the Stars One Small Step at a Time" are not provided. www.nature.com/scientificdata www.nature.com/scientificdata/ The "Slumlord" and "Reach for the Stars One Small Step at a Time" data have not been previously reported; however, a separate dataset not included in this release has been collected using the "Slumlord" story stimulus 205 . In the filename convention, the combined "Slumlord" and "Reach for the Stars One Small Step at a Time" data are labeled slumlordreach, and labeled slumlord and reach when analyzed separately.

"It's Not the Fall that Gets You". The "It's Not the Fall that Gets You" dataset was collected between
May, 2013, and October, 2013, and comprised 56 participants (ages 18-29 years, mean age 21.0 ± 2.4 years, 31 reported female). The "It's Not the Fall that Gets You" story was told by Andy Christie and recorded live at The Moth, a non-profit storyteller event, in New York City in 2009 (freely available at https://themoth.org/stories/ its-not-the-fall-that-gets-you). In addition to the original story (labeled intact), two experimental manipulations of the story stimulus were created: (a) in one version, the story stimulus was temporally scrambled at a coarse level (labeled longscram); (b) in the other version, the story stimulus was temporally scrambled at a finer level (labeled shortscram). In both cases, the story was spliced into segments at the level of sentences prior to scrambling, and segment boundaries used for the longscram condition are a subset of the boundaries used for the shortscram condition. The boundaries used for scrambling occurred on multiples of 1.5 seconds to align with the TR during scanning acquisition. We recommend using only the intact version for studying narrative processing because the scrambled versions do not have a coherent narrative structure (by design). All three versions of the "It's Not the Fall that Gets You" stimulus were 582 seconds (9.7 minutes) long and began with 22 seconds of neutral introductory music followed by 3 seconds of silence such that the story started at 0:25 (relative to the beginning of the stimulus file) and ended at 9:32 for a duration of 547 seconds (365 TRs), with 10 seconds of silence at the end of the stimulus. The stimulus file was started after 3 TRs (4.5 seconds) as indicated in the events.tsv files accompanying each scan. The functional scans comprised 400 TRs (600 seconds). The transcript for the intact stimulus contains 1,601 words total; 40 words (2.5%) were not successfully localized by the forced-alignment algorithm and 20 words (1.2%) were not found in the vocabulary.
The scrambled stimuli were assigned to subjects according to a mixed within-and between-subject design, such that subjects received the intact stimulus and either the longscram stimulus (23 participants) or the shortscram stimulus (24 participants). The group assignments are indicated in the participants.tsv file, and the scans.tsv file for each subject. Due to the mixed within-and between-subject design, the files are named with the full notthefallintact, notthefalllongscram, notthefallshortscram task labels. We recommend excluding the intact scans for sub-317 and sub-335, the longscram scans for sub-066 and sub-335, and the shortscram scan for sub-333 (as specified in the scan_exclude.json file in the code/ directory). The "It's Not the Fall that Gets You" data have been recently reported 206 . "Merlin" and "Sherlock". The "Merlin" and "Sherlock" datasets were collected between May, 2014, and March, 2015, and comprised 36 participants (ages 18-47 years, mean age 21.7 ± 4.7 years, 22 reported female). The "Merlin" and "Sherlock" stimuli were recorded while an experimental participant recalled events from previously viewed television episodes during fMRI scanning. Note that this spontaneous recollection task (during fMRI scanning) is cognitively distinct from reciting a well-rehearsed story to an audience, making this dataset different from others in this release. This release contains only the data for subjects listening to the auditory verbal recall; not data for the audiovisual stimuli or the speaker's fMRI data 207 . The "Merlin" stimulus file is 915 seconds (9.25 minutes) long and began with 25 seconds of music followed by 4 seconds of silence such that the story started at 0:29 and ended at 15:15 for a duration of 886 seconds (591 TRs). The transcript for the "Merlin" stimulus contains 2,245 words; 111 words (4.9%) were not successfully localized by the forced-alignment algorithm and 13 words (0.6%) were not found in the vocabulary. The "Sherlock" stimulus file is 1,081 seconds (~18 minutes) long and began with 25 seconds of music followed by 4 seconds of silence such that the story started at 0:29 and ended at 18:01 for a duration of 1,052 seconds (702 TRs). The stimulus files for both stories were started after 3 TRs (4.5 seconds) as indicated in the events.tsv files accompanying each scan. The "Merlin" and "Sherlock" scans were acquired with a variable number of trailing volumes following the stimulus across subjects, but can be truncated as researchers see fit (e.g. to 614 and 724 TRs, respectively). The transcript for "Sherlock" contains 2681 words; 171 words (6.4%) were not successfully localized and 17 words (0.6%) were not found in the vocabulary. The word counts for "Merlin" and "Sherlock" may be slightly inflated due to the inclusion of disfluencies (e.g. "uh") in transcribing the spontaneous verbal recall.
All 36 subjects listened to both the "Merlin" and "Sherlock" verbal recall auditory stimuli. However, 18 subjects viewed the "Merlin" audiovisual clip prior to listening to both verbal recall stimuli, while the other 18 subjects viewed the "Sherlock" audiovisual clip prior to listening to both verbal recall stimuli. In the "Merlin" dataset, the 18 subjects that viewed the "Sherlock" clip (and not the "Merlin" audiovisual clip) are labeled with the naive condition as they heard the "Merlin" verbal recall auditory-only stimulus without previously having seen the "Merlin" audiovisual clip. The other 18 subjects in the "Merlin" dataset viewed the "Merlin" audiovisual clip (and not the "Sherlock" clip) prior to listening to the "Merlin" verbal recall and are labeled with the movie condition. Similarly, in the "Sherlock" dataset, the 18 subjects that viewed the "Merlin" audiovisual clip (and not the "Sherlock" audiovisual clip) are labeled with the naive condition, while the 18 subjects that viewed the "Sherlock" audiovisual clip (and not the "Merlin" audiovisual clip) are labeled with the movie condition. These condition labels are indicated in both the participants.tsv file and the scans.tsv files for each subject. Following the scans, each subject performed a free recall task to assess memory of the story. Subjects were asked to write down events from the story in as much detail as possible with no time limit. The quality of comprehension for the free recall text was evaluated by three independent raters on a scale of 1-10. The resulting comprehension scores are reported as the sum across raters normalized by the perfect score (range 0-1) in the participants.tsv file and scans.tsv file for each subject. Comprehension scores are only provided for the naive condition. We recommend excluding the "Merlin" scan for subject sub-158 and the "Sherlock" (2021) 8:250 | https://doi.org/10.1038/s41597-021-01033-3 www.nature.com/scientificdata www.nature.com/scientificdata/ scan for sub-139 (as specified in the scan_exclude.json file in the code/ directory. The "Merlin" and "Sherlock" data have been previously reported 207 . In the filename convention, "Merlin" is labeled merlin and "Sherlock" is labeled sherlock. "Schema". The "Schema" dataset was collected between August, 2015, and March, 2016, and comprised 31 participants (ages 18-35 years, mean age 23.7 ± 4.8 years, 13 reported female). The "Schema" dataset comprised eight brief (~3-minute) auditory narratives based on popular television series and movies featuring restaurants and airport scenes: The Big Bang Theory, Friends, How I Met Your Mother, My Cousin Vinnny, The Santa Clause, Shame, Seinfeld, Up in the Air; labeled bigbang, friends, himym, vinny, santa, shame, seinfeld, upintheair, respectively. These labels are indicated in the events.tsv accompanying each scanner run, and the corresponding stimuli (e.g. bigbang_audio.wav). Two of the eight stories were presented in each of four runs. Each run had a fixed presentation order of a fixed set of stories, but the presentation order of the four runs was counterbalanced across subjects. The functional scans were acquired with a variable number of trailing volumes across subjects, and in each run two audiovisual film clips (not described in this data release) were also presented; the auditory stories must be spliced from the full runs according to the events.tsv file. Overall, the transcripts for the auditory story stimuli in the "Schema" dataset contain 3,788 words; 20 words (0.5%) were not successfully localized by the forced-alignment algorithm and 69 words (1.8%) were not found in the vocabulary. The "Schema" data were previously reported 116 . In the filename convention, the "Schema" data are labeled using the task alias schema. "Shapes". The "Shapes" dataset was collected between May, 2015, and July, 2016, and comprised 59 participants (ages 18-35 years, mean age 23.0 ± 4.5 years, 42 reported female). The "Shapes" dataset includes two related auditory story stimuli describing a 7-minute original animation called "When Heider Met Simmel" (copyright Yale University). The movie uses two-dimensional geometric shapes to tell the story of a boy who dreams about a monster, and was inspired by Heider and Simmel 208 . The movie itself is available for download at https://www. headspacestudios.org. The two verbal descriptions based on the movie used as auditory stimuli in the "Shapes" dataset were: (a) a purely physical description of the animation (labeled shapesphysical), and (b) a social description of the animation intended to convey intentionality in the animated shapes (labeled shapessocial). Note that the physical description story (shapesphysical) is different from other stimuli in this release in that it describes the movements of geometrical shapes without any reference to the narrative embedded in the animation. Both stimulus files are 458 seconds (7.6 minutes) long and began with a 37-second introductory movie (only the audio channel is provided in the stimulus files) followed by 7 seconds of silence such that the story started at 0:45 and ended at roughly 7:32 for a duration of ~408 seconds (~272 TRs) and ended with ~5 seconds of silence. The stimulus files for both stories were started after 3 TRs (4.5 seconds) as indicated in the events.tsv files accompanying each scan. The functional scans were acquired with a variable number of trailing volumes following the stimulus across subjects, but can be truncated as researchers see fit (e.g. to 309 TRs). The transcript for the shapesphysical stimulus contains 951 words; 9 words (0.9%) were not successfully localized by the forced-alignment algorithm and 25 words (2.6%) were not found in the vocabulary. The transcript for the shapessocial stimulus contains 910 words; 6 words (0.7%) were not successfully localized and 14 words (1.5%) were not found in the vocabulary.
Each subject received both the auditory physical description of the animation (shapesphysical), the auditory social description of the animation (shapessocial), and the audiovisual animation itself (not included in the current data release) in three separate runs. Run order was counterbalanced across participants, meaning that some participants viewed the animation before hearing the auditory description. The run order for each subject (e.g. physical-social-movie) is specified in the participants.tsv file and the subject-specific scans.tsv files. Immediately following the story scan, subjects performed a free recall task in the scanner (the fMRI data during recall are not provided in this release). They were asked to describe the story in as much detail as possible using their own words. The quality of the recall was evaluated by an independent rater naive to the purpose of the experiment on a scale of 1-10. The resulting comprehension scores are reported normalized by 10 (range 0-1) and reported in the participants.tsv file and scans.tsv file for each subject. Comprehension scores are only provided for scans where the subject first listened to the story stimulus, prior to hearing the other version of the story or viewing the audiovisual stimulus. We recommend excluding the shapessocial scan for subject sub-238 (as specified in the scan_exclude.json file in the code/ directory. The "Shapes" data were previously reported 209 .

"The 21st
Year". The "The 21st Year" dataset was collected between February, 2016, and January, 2018, and comprised 25 participants (ages 18-41 years, mean age 22.6 ± 4.7 years, 13 reported female). The story stimulus was written and read aloud by author Christina Lazaridi, and includes two seemingly unrelated storylines relayed in blocks of prose that eventually fuse into a single storyline. The stimulus file is 3,374 seconds (56.2 minutes) long and began with 18 seconds of introductory music followed by 3 seconds such that the story started at 0:21 and ended at 55:59 for a duration of 3,338 seconds (2,226 TRs) followed by 15 seconds of silence. The functional scans comprised 2,249 volumes (3,373.5 seconds). The story stimulus contains 8,267 words; 88 words (1.1%) were not successfully localized by the forced-alignment algorithm and 143 words (1.7%) were not found in the vocabulary. Data associated with "The 21st Year" have been previously reported 210 . In the filename convention, data for "The 21st Year" are labeled using the task alias 21styear.
"Pie Man (PNI)" and "Running from the Bronx". The "Pie Man (PNI)" and "Running from the Bronx" data were collected between May and September, 2018, and comprised 47 participants (ages 18-53 years, mean www.nature.com/scientificdata www.nature.com/scientificdata/ age 23.3 ± 7.4 years, 33 reported female). The "Pie Man (PNI)" and "Running from the Bronx" story stimuli were told by Jim O'Grady while undergoing fMRI scans at the Princeton Neuroscience Institute (PNI). The spoken story was recorded using a noise cancelling microphone mounted on the head coil and scanner noise was minimized using Audacity. The "Pie Man (PNI)" stimulus file is 415 seconds (~7 minutes) long and begins with a period of silence such that the story starts at :09 and ends at 6:49 for a duration of 400 seconds (267 TRs) followed by 7 seconds of silence. The "Pie Man (PNI)" stimulus conveys the same general story as the original "Pie Man" stimulus but with differences in timing and delivery (as well as poorer audio quality due to being recorded during scanning). The "Running from the Bronx" stimulus file is 561 seconds (9.4 minutes) long and begins with a period of silence such that the story starts at 0:15 and ends at 9:11 for a duration of 536 seconds (358 TRs) followed by 10 seconds of silence. The "Pie Man (PNI)" and "Running from the Bronx" functional scans comprised 294 TRs (441 seconds) and 390 TRs (585 seconds), respectively. Both stimulus files were started after 8 TRs (12 seconds) as indicated in the accompanying events.tsv files. The program card on the scanner computer was organized according to the ReproIn convention 211 to facilitate automated conversion to BIDS format using HeuDiConv 0.5.dev1 212 . The transcript for the "Pie Man (PNI)" stimulus contains 992 words; 7 words (0.7%) were not successfully localized by the forced-alignment algorithm and 19 words (1.9%) were not found in the vocabulary. The transcript for "Running from the Bronx" contains 1,379 words; 23 words (1.7%) were not successfully localized and 19 words (1.4%) were not found in the vocabulary.
At the end of the scanning session, the subjects completed separate questionnaires for each story to evaluate comprehension. Each questionnaire comprised 30 multiple choice and fill-in-the-blank questions testing memory and understanding of the story. The resulting comprehension scores are reported as the proportion of correct answers (ranging 0-1) in the participants.tsv file and the scans.tsv file for each subject. Data for both stories have been previously reported 166,213 . The "Pie Man (PNI)" and "Running from the Bronx" data are labeled with the piemanpni and bronx task aliases in the filename convention. The "Pie Man (PNI)" and "Running from the Bronx" data were collected in conjunction with the "I Knew You Were Black" and "The Man Who Forgot Ray Bradbury" data and share the same samples of subjects.
"I Knew You Were Black" and "the Man Who Forgot Ray Bradbury". The "I Knew You Were Black" and "The Man Who Forgot Ray Bradbury" data were collected by between May and September, 2018, and comprised the same sample of subjects from "Pie Man (PNI)" and "Running from the Bronx" data (47 participants, ages 18-53 years, mean age 23.3 ± 7.4 years, 33 reported female). Unlike the "Pie Man (PNI)" and "Running from the Bronx" story stimuli, the "I Knew You Were Black" and "The Man Who Forgot Ray Bradbury" stimuli are professionally recorded with high audio quality. The "I Knew You Were Black" story was told by Carol Daniel and recorded live at The Moth, a non-profit storytelling event, in New York City in 2018 (freely available at https://themoth.org/stories/i-knew-you-were-black). The "I Knew You Were Black" story is 800 seconds (13.3 minutes, 534 TRs) long and occupies the entire stimulus file. The "I Knew You Were Black" functional scans comprised 550 TRs (825 seconds). The transcript for the "I Knew You Were Black" stimulus contains 1,544 words; 5 words (0.3%) were not successfully localized by the forced-alignment algorithm and 4 words (0.3%) were not found in the vocabulary. "The Man Who Forgot Ray Bradbury" was written and read aloud by author Neil Gaiman at the Aladdin Theater in Portland, OR, in 2011 (freely available at https://soundcloud.com/neilgaiman/ the-man-who-forgot-ray-bradbury). The "The Man Who Forgot Ray Bradbury" audio stimulus file is 837 seconds (~14 minutes, 558 TRs) long and occupies the entire stimulus file. The "The Man Who Forgot Ray Bradbury" functional scans comprised 574 TRs (861 seconds). The transcript for "The Man Who Forgot Ray Bradbury" contains 2,135 words; 16 words (0.7%) were not successfully localized and 29 words (1.4%) were not found in the vocabulary. For both datasets, the audio stimulus was prepended by 8 TRs (12 seconds) and followed by 8 TRs (12 seconds) of silence. The program card on the scanner computer was organized according to the ReproIn convention 211 to facilitate automated conversion to BIDS format using HeuDiConv 0.5.dev1 212 .
Similarly to the "Pie Man (PNI)" and "Running from the Bronx" stories, the subjects completed separate questionnaires for each story to evaluate comprehension after scanning. Each questionnaire comprised 25 multiple choice and fill-in-the-blank questions testing memory and understanding of the story. The resulting comprehension scores are reported as the proportion of correct answers (ranging 0-1) in the participants.tsv file and the scans.tsv file for each subject. Data for both stories have been previously reported 166,213 . The "I Knew You Were Black" and "The Man Who Forgot Ray Bradbury" data are labeled with the black and forgot task aliases in the filename convention.

Data Records
The core, unprocessed NIfTI-formatted MRI data with accompanying metadata and stimuli are publicly available  86 , which follows the FAIR principles for making data findable, accessible, interoperable, and reusable 217 . A detailed description of the BIDS specification can be found at http://bids.neuroimaging.io/. Organizing the data according to the BIDS convention facilitates future research by enabling the use of automated BIDS-compliant software (BIDS Apps) 218 . Briefly, files and metadata are labeled using key-value pairs where key and value are separated by a hyphen, while key-value pairs are separated by underscores. Each subject is identified www.nature.com/scientificdata www.nature.com/scientificdata/ by an anonymized numerical identifier (e.g. sub-001). Each subject participated in one or more story-listening scans indicated by the task alias for the story (e.g. task-pieman). Subject identifiers are conserved across datasets; subjects contributing to multiple datasets are indexed by the same identifier (e.g. sub-001 contributes to both the "Pie Man" and "Tunnel Under the World" datasets).
The top-level BIDS-formatted narratives/ directory contains a tabular participants.tsv file where each row corresponds to a subject and includes demographic variables (age, sex), the stories that subject received (task), as well as experimental manipulations (condition) and comprehension scores where available (comprehension). Cases of omitted, missing, or inapplicable data are indicated by "n/a" according to the BIDS convention. The top-level BIDS directory also contains the following: (a) a dataset_description. json containing top-level metadata, including licensing, authors, acknowledgments, and funding sources; (b) a code/ directory containing scripts used for analyzing the data; (c) a stimuli/ directory containing the audio stimulus files (e.g. pieman_audio.wav), transcripts (e.g. pieman_transcript.txt), and a gentle/ directory containing time-stamped transcripts created using Gentle (i.e.; described in "Stimuli" in the "Methods" section); (d) a derivatives/ directory containing all MRI derivatives (described in more detail in the "MRI preprocessing" and "Technical validation" sections); and (e) descriptive README and CHANGES files.
BIDS-formatted MRI data for each subject are contained in separate directories named according to the subject identifiers. Within each subject's directory, data are segregated into anatomical data (the anat/ directory) and functional data (the func/ directory). All MRI data are stored as gzipped (compressed) NIfTI-1 images 219 . NIfTI images and the relevant metadata were reconstructed from the original Digital Imaging and Communications in Medicine (DICOM) images using dcm2niix 1.0.20180518 220 . In instances where multiple scanner runs were collected for the same imaging modality or story in the same subject, the files are differentiated using a run label (e.g. run-1, run-2). All anatomical and functional MRI data files are accompanied by sidecar JSON files containing MRI acquisition parameters in compliance with the COBIDAS report 133 . Identifying metadata (e.g. name, birth date, acquisition date and time) have been omitted, and facial features have been removed from anatomical images using the automated de-facing software pydeface 2.0.0 134 . All MRI data and metadata are released under the Creative Commons CC0 license (https://creativecommons.org/), which allows for free reuse without restriction.
All data and derivatives are version-controlled using DataLad 88,89 (https://www.datalad.org/; RRID:SCR_003931). DataLad uses git (https://git-scm.com/; RRID:SCR_003932) and git-annex (https://git-annex.branchable.com/; RRID:SCR_019087) to track changes made to the data, providing a transparent history of the dataset. Each stage of the dataset's evolution is indexed by a unique commit hash and can be interactively reinstantated. Major subdivisions of the data collection, such as the code/, stimuli/, and derivative directories, are encapsulated as "subdatasets" nested within the top-level BIDS dataset. These subdatasets can be independently manipulated and have their own standalone version history. For a primer on using DataLad, we recommend the DataLad Handbook 221 (http://handbook.datalad.org/).

technical Validation
Image quality metrics. To provide an initial assessment of the data, we used MRIQC 0.15.1 222,223 to derive a variety of image quality metrics (IQMs; via the run_mriqc.sh and run_mriqc_group.sh scripts in the code/ directory). MRIQC was deployed using Singularity 140 . The MRIQC Singularity image can be built from Docker Hub (https://hub.docker.com/r/poldracklab/mriqc/; e.g. singularity build mriqc-0.15.1.simg docker://poldracklab/mriqc:0.15.1). The MRIQC outputs can be found in the mriqc/ directory in derivatives/ available via the DataLad release, and includes dozens of IQMs per scan as well as a summary across the entire dataset. These IQMs can be visualized in a browser (e.g. group_ bold.html) and are aggregated in tabular format across the entire data collection (e.g. group_bold.tsv).
Here we do not exclude any subjects based on IQMs, but subsequent researchers can use the available IQMs to exclude scans as they see fit.
We briefly report three common metrics for functional images summarizing head motion, intrinsic spatial smoothness, and temporal signal quality (Fig. 2). To summarize head motion, we computed the mean framewise displacement (FD) 162,224 for each functional scan across all subjects and story stimuli (Fig. 2a). The median framewise displacement across scans for all subjects and story stimuli was 0.132 mm (SD = 0.058 mm). Although this indicates relatively low head motion, some subjects have notably high motion; researchers may opt to censor time points with high FD (e.g. greater 0.5 mm) or omit entire scans with high overall FD as they see fit. To quantify the intrinsic spatial smoothness of the raw functional data, we used 3dFWHMx in AFNI 19.3.0, which computes the ratio of variance of first differences across voxels to global variance across the image and expresses smoothness as the full width at half-maximum (FWHM) of a 2D Gaussian filter 225 . Smoothness was computed in each subject's native brain space within an anatomically-defined brain mask, and the functional time series were temporally detrended prior to smoothness estimation (using the get_fwhm.py script in the code/ directory). Spatial smoothness varied considerably across datasets due to different acquisition parameters used with different scanner models (Fig. 2b). For example, scans acquired using older pulse sequences without multiband acceleration are smoothest in the slice acquisition (z-) axis, whereas newer scans acquired using multiband acceleration have higher overall spatial resolution (resulting in lower smoothness), and are smoothest in anterior-posterior phase-encoding (y-) axis. Finally, we computed the temporal signal-to-noise ratio (tSNR) as a measure of functional signal quality using MRIQC. A tSNR map was constructed for each scan by computing the voxelwise average of the signal magnitude over time divided by the standard deviation of the signal over time in each subject's native space following realignment using 3dvolreg and brain extraction using 3dSkullStrip in AFNI 226 ; the median of this tSNR map was used to summarize tSNR across voxels for a given scan (Fig. 2c). The median tSNR across all subjects and story stimuli was 50.772 (SD = 13.854). We also computed vertex-wise tSNR in fsaverage6 space following preprocessing with fMRIPrep to visualize the spatial distribution of tSNR across www.nature.com/scientificdata www.nature.com/scientificdata/ cortex ( Fig. 2d; using the get_tsnr.py script in the code/ directory). Low tSNR in orbitofrontal and anterior medio-temporal cortex reflects signal dropout due to the proximity of sinuses and ear canals 227 .
Intersubject correlation. To measure the reliability of stimulus-evoked responses across subjects, we performed an intersubject correlation (ISC) analysis 104,105,228 . For each story stimulus, we computed ISC using the leave-one-out approach: for each subject, we averaged the response time series for the remaining subjects, then correlated this mean response time series for a given voxel or brain area with the response time series for the left-out subject in that voxel or brain area. Note that this approach yields higher correlation values than computing ISC between pairs of subjects. In large samples of subjects, leave-one-out ISC provides an estimate of the upper bound of variance that can be accounted for by between-subject models predicting voxel-or region-wise response time series (i.e. noise ceiling) 105,229 ; that is, the mean data from other subjects serves as a surrogate for the optimal model that generalizes across subjects (within-subject models, however, may capture additional variance not shared across subjects). ISC was computed only on functional volumes corresponding to presentation of the story stimulus, and we trimmed the first 6 TRs (9 seconds) after story onset to reduce the impact of Fig. 2 Data quality summarized in terms of head motion, spatial smoothness, and temporal signal-to-noise ratio (tSNR). (a) Median framewise displacement (FD) summarizes head motion. Each black tick mark represents the median FD (x-axis) for a given scanning run and subject for each task (i.e. story; y-axis). Violin plots illustrate the distribution of median FDs across all runs and subjects for a given task. The red markers indicate the median FD across all runs for a given task, and the red error bars indicate the 95% bootstrap confidence interval for the median based on randomly sampling runs with replacement. At bottom, FD is summarized across all tasks. (b) Spatial smoothness is summarized using AFNI's FWHM smoothness for each scanning run across each task. Spatial smoothness was computed in volumetric subject-specific functional (EPI) space using subject-specific whole-brain masks with minimal preprocessing (realignment and susceptibility distortion in fMRIPrep, detrending in AFNI). Each tick mark represents the spatial smoothness for a given run in a given acquisition axis (orange: x-axis, i.e. left-right; yellow: y-axis, i.e. anterior-posterior; red: z-axis, i.e. inferior-superior). Violin plots capture the distribution of smoothness estimates for x-, y-, and z-axes across all runs and subjects in a given task. The red markers indicate the median combined (i.e. geometric mean across x-, y-, and z-axes) smoothness across all runs and subjects for a given task (red error bars indicate 95% bootstrap confidence interval of median). At bottom, smoothness is summarized across all tasks. The multiple lobes of the distribution reflect differing acquisition parameters used with the Skyra and Prisma scanner models. (c) tSNR maps were constructed by computing the voxelwise mean signal over time divided by the standard deviation over time. Each black tick mark represents the median of the tSNR map (x-axis) for a given scanner run and subject for each task (y-axis). Violin plots reflect the distribution of tSNR values across all runs and subjects for a given task. The red markers indicate the mean tSNR across all runs for a given task (red error bars indicate 95% bootstrap confidence interval of mean). At bottom, the tSNR is summarized across all tasks. The two lobes of the distribution reflect older pulse sequences with larger voxels (and higher tSNR) and newer multiband pulse sequences with smaller voxels (and lower tSNR). See the plot_qc.py script in the code/ directory for details. (d) Distribution of tSNR across cortex. The color bar reflects the median vertex-wise tSNR. Note that unlike panel c, here tSNR was computed in fsaverage6 space for vertex-wise summarization and visualization, which may inflate the tSNR values. (2021) 8:250 | https://doi.org/10.1038/s41597-021-01033-3 www.nature.com/scientificdata www.nature.com/scientificdata/ stimulus onset transients. All ISC values were Fisher z-transformed prior to averaging, and the mean was inverse Fisher z-transformed for visualization 230 . ISC analysis was implemented using the Brain Imaging Analysis Kit (BrainIAK) [231][232][233] (RRID:SCR_014824).
ISCs were computed separately for different experimental groups or manipulations; for example, ISCs were computed separately for the "affair" and "paranoid" contextual manipulation conditions for "Pretty Mouth and Green My Eyes. " On the other hand, ISCs were computed as a single group for datasets where the only experimental manipulation was naively listening to the story stimulus versus listening to the story stimulus after viewing the audiovisual movie ("Merlin, " "Sherlock, " and "Shapes"). ISCs were computed separately for the "Slumlord" and "Reach for the Stars One Small Step at a Time" stories despite being presented in the same scanning run. The brief "Schema" stories and the scrambled versions of "It's Not the Fall that Gets You" were excluded from ISC analysis for the sake of simplicity.
To assess the temporal synchronization of responses to the story stimuli, we computed ISC in an early auditory cortex (EAC) region of interest (ROI). The left-and right-hemisphere EAC ROIs were defined on the cortical surface in fsaverage6 space as combination of five areas (A1, MBelt, LBelt, PBelt, RI) from a multimodal cortical parcellation 234,235 (see the roi_masks.py script in the code/ directory). The non-smoothed response time series following preprocessing with fMRIPrep and confound regression with AFNI were averaged across vertices in the left and right EAC ROIs (using the roi_average.py and roi_regression.py scripts in the code/ directory). We used two measures of temporal alignment in left EAC as quality-control criteria for excluding scans. First, we computed leave-one-out ISCs and set an exclusion cut-off at ISC < 0.10 in left EAC ( Fig. 3a; using the roi_isc.py script in the code/ directory). Second, we computed leave-one-out ISC at temporal lags ranging from −45 to 45 seconds; for each left-out subject, we computed the correlation between the mean response time series for the remaining subjects and the left-out subject's response time series at 61 lags ranging from -30 to 30 TRs (Fig. 3b; using the roi_lags.py script in the code/ directory). We then set an exclusion cut-off at a peak ISC at a lag > ± 3 TRs (4.5 seconds) to accommodate some inter-individual variability in the hemodynamic response 236,237 . Both of these criteria are intended to exclude scans with poor entrainment to the stimulus (e.g. due to an error in acquisition), and yield a partly overlapping group of scans for exclusion. Overall, the combined criteria resulted in excluding 27 scans from 19 subjects, or 3.0% of the 891 total scans. We do not exclude these subjects from the dataset entirely because some analyses (e.g. comparing methods for mitigating artefacts) may in fact benefit from the inclusion of lower-quality scans. Rather, we provide a scan_exclude. json file listing scans to exclude (and a convenience function exclude_scans.py) in the code/ directory so that researchers can easily exclude scans flagged as poor quality according to the criteria above. Note that some studies 206 temporally shift response time series to ensure that peak lags match across subjects; here, we do not shift or edit the scans, but provide the lagged ISCs for all scans (group_roi-EAC_lags.json in derivatives/afni-nosmooth/) so that researchers can apply temporal shifting as they see fit. Ultimately, mean ISC in left and right EAC across all scans was 0.549 (SD = 0.173) and 0.493 (SD = 0.179), respectively. This analysis also revealed qualitatively higher ISC in left EAC than right EAC across several stories (Fig. 3a). This may reflect a left-lateralized preference for speech sounds observed in previous studies 10,238,239 .
Finally, we visualized the cortical distribution of ISCs (Fig. 4). Leave-one-out ISCs were computed on vertex-wise response time series in fsaverage6 surface space following preprocessing using fMRIPrep, spatial www.nature.com/scientificdata www.nature.com/scientificdata/ smoothing to 6 mm, and confound regression using AFNI (via the run_isc.py script in the code/ directory). ISCs were computed separately for each story stimulus (and experimental group or condition, as described above), then averaged across all stories to construct a summary ISC map (Fig. 4a). Here we are not interested in statistical testing and therefore arbitrarily threshold these ISC maps at a mean correlation of 0.10 for visualization; we refer researchers to other work for a detailed statistical treatment [240][241][242] . Cortical areas with high ISC during story-listening were largely bilateral, spanning temporal and frontal areas reported in the fMRI literature on language, and extending into default-mode network (DMN) areas such as the angular gyrus and precuneus. Cortical ISC maps are strikingly similar across stories with considerable variability in sample size, duration, and content (Fig. 4b). We emphasize that a wide variety of stimulus content can drive cortical ISCs, and that decomposing the stimuli according to different models will ultimately provide a window onto the linguistic and narrative features encoded across cortex.

Usage Notes
The MRI data are organized according to the BIDS standard, and are therefore well-suited for automated processing using BIDS Apps (e.g. MRIQC, fMRIPrep, FitLins 243 ; https://bids-apps.neuroimaging.io/), the Brainlife cloud platform (https://brainlife.io/), and Neuroscout 244 (https://neuroscout.org/). The full data collection can be easily "installed" using DataLad (datalad install -r ///labs/hasson/narratives). This clones the file hierarchy without downloading any large content files, which can be installed selectively as needed (datalad get). Particular subsets of the full dataset can be retrieved using datalad get with shell wildcards. For example, particular stories can be retrieved using, e.g. datalad get sub-*/func/*task-pieman*; or derivatives in a particular output space can be retrieved using, e.g. datalad get derivatives/ afni-nosmooth/sub-*/func/*task-pieman*space-fsaverage6*. For convenience, we also include the task_meta.json file in the code directory, which contains a dictionary mapping from each task (i.e. story) to subjects and filenames beloging to that task. We also recommend the Python-based PyBIDS tool for querying and manipulating BIDS data 245 .

Code availability
All code used for aggregating and analyzing the data is version-controlled and publicly available via the associated GitHub repository (https://github.com/snastase/narratives) and the code/ directory in the top-level BIDS directory distributed via DataLad (https://datasets.datalad.org/?dir=/labs/hasson/narratives). The GitHub repository contains both scripts used to prepare the data for sharing (staging/) and scripts used to analyze the BIDS-formatted data (code/). See Table S1 for a brief description of the scripts used to process the "Narratives" data. www.nature.com/scientificdata www.nature.com/scientificdata/