Me++: The Cyborg Self and the Networked City
- William J. Mitchell
We are all cyborg nomads. So argues William J. Mitchell in his new book Me ++, in which he explores how our intimate relationships with technology shape both our lives and the environments we build around us. Me ++ follows on from two of Mitchell's earlier works, City of Bits and E-topia, which investigated the symbiosis of technology and design.
In Me ++, Mitchell describes evocatively how miniaturized and dispersed devices, and entirely dematerialized bits of digital information, fundamentally change the way we sense and relate to the world. This realization raises new questions about how we design everything from clothing to cities. Mitchell's thesis is that ever-shrinking devices will increasingly be carried along with us — becoming part of us — rather than being accessed at fixed points in space.
As we swim in a sea of digital information broadcast as electromagnetic waves, through mobile phones, computers, video screens and speakers, we augment our bodily senses through technology, effectively becoming cyborgs. The clothing, walls, buildings and cities that surround us can be thought of as skins, successive layers through which our senses operate.
According to Mitchell, the roles of these skins should be reconsidered. Microscopic sensors, machines and miniature electronic devices can easily be replicated, distributed and carried. For example, tiny temperature sensors, or digital information systems, might be woven into the threads of clothing, rather than being hung as boxes on walls. By plugging ourselves into extended webs of sensors, we might control our own personal environments and, moreover, generate new fields of interaction within entire communities, even globally.
With great clarity, Mitchell describes how traditional, localized cities developed at sites of accumulation of materials, transport and wealth. The urban structure as we know it — with central business districts, coarse zoning, suburbs and ring roads — follows directly from this function.
But today, the information revolution is changing all that. In Mitchell's view, cities are no longer dominated by localized objects but by dematerialized bits. In a world where you can connect your laptop to the Internet from practically anywhere, location has become incidental, and access to information is the new currency for foraging urban nomads. “I link therefore I am,” says Mitchell. Consequently, he argues, urban design should reflect this new dynamic world.
Mitchell concludes provocatively by pronouncing the death of the modernist architectural programme. Form can no longer follow function; spaces should be what we want them to be, when we want them to be. They should be flexible as our needs change. Cafes, parks, hotels and trains can all be temporary workspaces for someone with a wireless laptop, so why be confined in a cubicle?
Me ++ is an exhilarating read, jam-packed with interesting facts, colourful phrases, imagery and sage insights. Some of Mitchell's ideas are not new, but he makes a powerful argument that will influence the designers of our future environment.
Mitchell raises more questions than he answers and leaves the reader wanting more. Big issues of economics, access, surveillance, privacy, security, ownership and identity are mentioned but barely explored. Similarly, there are too few glimpses of the exciting new products that may transform our lives. What form will the futuristic knowledge-based city take? Mitchell articulates the zeitgeist, but even he cannot predict where technology will take us — or where we will take it.